music

The Holy Fool

2021, trombone solo, voices, harp, and string quartet
Link to video
Commissioned by Fonds Podiumkunsten on the occasion of Sebastiaan Kemner receiving the Nederlandse Muziekprijs.
Premiere on 12.06.21 at de Doelen Rotterdam, with Sebastiaan Kemner, Silbersee, and Lonelinoise.


Three Responsories

Hildegard von Bingen arrangements: O vis eternitatis; Nunc aperuit nobis; Ave Maria, O auctrix vite
2021, for voices, string orchestra, and solo trombone
Link to video
Commissioned by Sebastiaan Kemner on the occassion of his Nederlandse Muziekprijs award concert.
Premiere on 12.06.21 at de Doelen Rotterdam, with Sebastiaan Kemner, Silbersee, and Residentie Orkest, conducted by Ed Spanjaard.


Zwam

2020, cor anglais and trombone
Commissioned by Sebastiaan Kemner and Vincent van Wijk


Intralatent

2019, piano, percussion, and live electronics
Link to video
Commissioned by GBSR Duo with the support of Arts Council England, the Hinrichsen Foundation, and PRS Foundation’s Open Fund. Premiere at hcmf// 2019, Huddersfield Town Hall, 18.11.19.


bot.radio

2019, Interactive installation using machine learning generated sounds.
Editions in Oxford (EXPO) and Manchester (RNCM) in May and June 2019.


Breaths between moons

2019, bass flute and live electronics
Premiere by Taylor MacLennan and NM, 25.02.19, EXPO Oxford.


Unfurl
2018, bass guitar and live electronics
Premiere by NM, 29.11.18, Modern Art Oxford.


Her still singing limbs

2018, trombone and live electronics
Link to audio
Premiere by Sebastiaan Kemner and NM, 03.05.18.


Ambages

2018, bass flute, cello, and live electronics
Premiere by Explore Ensemble and NM, 07.02.18.


Unhintergehbar

2015-1, sextet
Link to audio
Premiere by Moscow Contemporary Music Ensemble, 13.09.15


Semantron

2015-16, electric guitar and live electronics
Link to audio
Premiere by Cassandra Matthews and NM.


academic work

Peer-reviewed Publications

Nicholas Moroz (2020), ‘Hacking the Hallucinatory: Investigating Fausto Romitelli’s Compositional Process through Sketch Studies of Professor Bad Trip: Lesson I‘, in Archival Notes, No.5, (Venice: Fondazione Giorgio Cini), pp. 59-84. [link]

Conference Papers

'A Rondo of Everything: Understanding Micro and Macro Form by Pattern Class Analysis in Morton Feldman’s Piano Violin Viola Cello’, Again & Again Conference (International conference on musical repetition in aesthetics, analysis, and experience), City, University of London (26 April 2019)

‘Sentient Spaces: Interactive Spatialisation with Spat5 in 'Unfurl' for Bass Guitar and Electronics’, IRCAM Forum (26 March 2019)

‘Technical Hybridity and the Metabolisation of Sound in Fausto Romitelli’s Professor Bad Trip Triptych’, Spectralisms Conference (International conference on spectral music), University of Oxford (15 March 2017)


teaching

I teach privately and in Higher Education settings. Subjects include:

— Composition
— Electronic Music
— Musical Analysis
— Twentieth Century History
— History of Electronic Music
— Contemporary Music

I teach the following software:

Max, Ableton, Logic, Reaper, Sibelius, Dorico, QLab, OpenMusic, Audiosculpt, iZotope RX, Adobe Premier Pro